It took ages to get through this exercise - mainly because of numerous frustrating attempts I made to obtain the desired results.
Oils part 1 |
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I started with oils using ultramarine for .......no washes and one in cadmium red.,
I wrote copious notes about techniques and brushes used, consistencies and quantities of paint. All kinds of methods were used from painting on dry paper to painting on pre wetted paper, beginning with the darkest richest concentrations at the top to beginning with the weakest dilutions at the bottom. I tried out different brushes ranging from size 10 round hog bristle to a 2" goat hair hake and various brushes in between, on oil and watercolour paper.
Acrylic red part 1 |
It was also taking too long for the oils to dry when I wanted to move onto the second stage.
With hindsight I could have reduced the time if I had used Cobalt or Prussian Blue rather than Ultramarine.
Acrylic pt 2 - light end first |
Acrylic orange part 2 |
Wet-in-wet - acrylic orange only and red and orange, part 3 |
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