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Wednesday, June 25, 2014

6 Project: Towards Abstraction Exercise 6 Abstracting from man made form

Other artists influential for this exercise were again Jaap Wagemaker and Jane Frank, also Jasper Johns - 'Hateras' and collages of Charles Winebrenner, Maury Haseltine and Katherine Chang Liu http://www.collageartists.org/meetingsarchive/2010_03_Katherine_Chang_Liu.html


Subject: zoomed in area of an oil burner - a mechanical part of an oil heating boiler. This was a broken component taken off the house heating boiler and was lying around in the utility room. I concentrated on various zoomed in areas of my subject, but while doing the first four thumbnail sketches (not shown) I again fell into the trap of trying to represent correct perspective, form, scale etc becoming aware that I was somehow missing the point here. I had to change tack - what I have learned about  abstraction  is that important elements would include simplification, distortion, flattening, exaggeration. In other words changing the subject to a point beyond recognition.

Above - three A4
 pages of final sketches

A transition came about when I made a conscious departure from initial sketches and started to play around with selected features of one area in different arrangements - these are shown to the right. During the final few sketches and the colour studies I was mindful of trying to maintain an essence of the subject's character in this area of the component:  the hollowness of the circles and other geometric shapes and hinting at other small mechanical parts within and behind them. Also to suggest the surrounding area of mostly smooth and distressed grey metal surfaces.  This continued into the final painting.
My colour studies were a big influence on what was to follow for the painting. I used the colours from the second study - vermillion, and mixes of crimson, pthallo blue, magenta, raw umber and titanium white.
Paint and materials application was a similar process to the first study in yellow and blue.I tried to evoke the the underlying hues found  in the object, putting a more vibrant slant on them.
Painting from man made form
Towards the end there were areas I needed to resolve before I could say it was finished. After a bit of close scrutiny I tried the following:
toned down parts of the lightest areas  and tried to further integrate certain other areas using watery glazes of purple with dry a brush. I also
introduced more directional shapes and lines to link up the upper left of the large circular shape with the rest of the composition,
enhanced repeated texture and patterns of the smaller rough circles and dk purple/blue colour blocks.






 Right and below - colour studies



Saturday, June 14, 2014

5 Project: Towards Abstraction Exercise 5 Abstraction from natural forms

In the preliminary stages I went through a long succession of ideas and sketches before finally settling on a piece of textured bark.
simplified tonal sketch
The other items I tried out didn't have the same appeal somehow once I tried sketching them. Days went by, doing sketch after sketch, feeling I had made little or no progress, until I finally tried out a few versions of the flat edge of the tree bark. Out of frustration I left them all alone for a few days then returned for another look and it appeared that many had potential. I was still confused about how to proceed  - questions arose around issues of whether and how to make changes like simplification, flattening , exaggeration, distortion etc.
I cast my mind back to a collagraph project  I did with children at the school where I work not long ago and remembered how I drew a simplified image of guitar  then cut the image  into pieces, turned them around in various directions and stuck them down again using as a basis for collagraph prints. I did another tonal sketch (right), this time more angular and simplified than the others.
painting part complete
It eventually transpired that the final painting contains some of these elements, but not so much flattening - a final frontier I haven't been able to conquer yet. Simplification was also quite a challenge, more so than I expected. Aswell as textures I always feel I have to also describe tones. I guess it largely depends on how abstract the intention is.
Media and materials used for the painting:
acrylic, gesso mixed with all purpose pollyfilla, pva, corrugated card, sand, cement dust mixed with pva and used palette paper.




completed painting













I looked at the work of Jaap Wagemaker in the process of this project
http://nl.wikipedia.org/wiki/Jaap_Wagemaker#mediaviewer/Bestand:Jaap_Wagemaker_(1965).jpg

Accidentally found this image - no offence Jaap but I can't help seeing a uncanny similarity with my own, though I have to admit the palette works on this,whereas on mine the pinks look insipid.
http://www.simonis-buunk.com/sold/zoom/Adriaan_Barend_Jaap_Wagemaker_7879.aspx